CLOAK/1.13i

If the first page isn't working throw it out and start another. This is the first lesson. Sketch quickly and form no attachments, imagine that you were to go on a date and not fall in love by the end of the evening, not even wake up in love.
Mining, throwing caution to the wind, saving the canaries for later, plunging.
Effortful behavior is unappealing for a reason. What needn't be so hard vexes when it is. Breezes refresh, blusters and blasts exasperate. There is no urgency, only unfolding; in haste much is ruined—and becomes nothing of value. What is very simple and meaningful: the need to make things, the possibility of creating something beautiful, the presentation of gifts. Don't worry that nothing comes out right right away. The object here is to respond as quickly as possible to what is perceived and to record it as precisely as possible.
Excessive speech leeches light from the seen, a dusk interposes and grows, as fixed eyes dim. Prescription: a strict regime of silence outburt-broken as required for prayers seductions songs and vows. To the quiet flash the cardinals brightest red— the taciturn's subtle prismatic devices discover Gerhard Richters with a dishcloth swiped across a plate.